Blog, Exhibitions

SWINGING LONDON a lifestyle revolution Terence Conran –Mary Quant

Fashion and Textile Museum from 8th February to 2nd June
If you are interested in post war British design from fashion to furniture and beyond, then this is a ‘must see’ exhibition.

Tucked away in Bermondsey Street not far from London Bridge Station is The Fashion and Textile Museum. The brainchild of textile designer, Zandra Rhodes.  It is small purpose built and for anyone with an interest in textiles and fashion it is a Must See. You can’t miss it, a bright orange and pink building designed by the Mexican architect Ricardo Legorreh

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I have been to most of their exhibitions since the museum opened in 2003 and this particular exhibition is their best yet, and the very clever Fashion and Textile Museum have stolen a march on the much larger V&A museum who have a Mary Quant exhibition starting in April.

LONDON, ENGLAND – FEBRUARY 07: New exhibition, Swinging London: A Lifestyle Revolution, featuring the work of Terence Conran, Mary Quant, Laura Ashley and more at The Fashion and Textile Museum on February 07, 2019 in London, England. (Photo by David M. Benett/Dave Benett/Getty Images for Fashion and Textile Museum)

         We often think of Swinging London having started in the late nineteen sixties but it was between the late nineteen forties and the mid nineteen sixties that the real changes took place. It was the young who, in the aftermath of the destruction and devastation caused by WWII, were determined to bring about a new, fairer and certainly more fun approach to life than had previously existed.

         In Britain the ‘Pop” revolution was led by the ‘Chelsea set’ a loosely connected group of young designers, artists, musicians, fashion models and intellectuals. Their social activities were centred on the Kings Road, at the time, a somewhat shabby street in Chelsea. The people who made up this set, are featured in this exhibition. Mary Quant the fashion designer who opened her first boutique, in 1955.

         Quant asked Terence Conran to design her second boutique, Bazaar. Much of the design was influenced by the style of Italian designers such as Piero Fornasetti and Gio Ponti. In 1963 Quant went mass market and the fashion brand ‘Ginger Group’ was born. She also worked for J.C.Penny in the USA; and designed dress patterns for Butterick.

Mary Quant is credited with inventing the mini skirt although variations of it had been around before, though perhaps not as short as hers. What happened was, when she looked for clothes she wanted to wear she couldn’t find any so she designed her own, and the rest they say is History. Mary Quant did invent tights to wear under the mini skirts. This was a great improvement on stockings and suspenders that were worn by every woman up until this point.

Terence Conran was designing furniture and fabrics from the early 1950’s. He was interested in modernist ideas and the architecture of Mies Van Der Rohe.

He was heavily influenced by the food and lifestyle of the continent, particularly France. He promoted the work of food writer Elizabeth David, who was bringing the best of continental cooking to Britain. He opened his lifestyle store Habitat in 1964.

There are small room sets, featuring Conran designed furniture, fabrics and home accessories. A special section of the exhibition features the work of textile designer Natalie Gibson.

A treat is to see the early work of Bernard and Laura Ashley who from 1953 -1960’s produced furnishing ‘art’ textiles from their kitchen table in Pimlico. Yes this is the same Laura Ashley who had us all dressed as Victorian Milk Maids in the early nineteen seventies. 

Don’t miss this exhibition. It is fun, informative and you are bound to find something you have either worn, sat on, or used in your own or your mother’s kitchen.  

Open Tuesdays to Saturdays, 11am–6pm

Thursdays until 8pm
Sundays, 11am–5pm
Last admission 45 minutes before closing
Closed Mondays

TICKETS
£9.90 adults / £8.80 concessions / £7 students

Children under 12 are free

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Embroidery Hoop Wall Art

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Embroidery hoops are perfect for creating your own speedy eye catching wall art. They’re a great stash busting opportunity to use up a collection of much loved fabrics.

You Will Need

  • Old Embroidery hoops
  • Fabric scraps for background and with motifs
  • Plain fabric for motif
  • Bondaweb
  • Scissors

 

Instructions

Step 1

Cut background fabric out with a diameter 4in (10cm) greater than that of the frame.

Step 2

Draw or trace the motif onto the paper side of the Bondaweb then iron onto the reverse of the chosen motif fabric.

Step 3

Cut out the motif, then peel off the backing paper. Place the motif on the backing fabric and iron to bond.

Step 4

Using a contrast colour thread, top stitch round the edge of the motif.

Place decorated fabric over inner hoop, press on outer hoop and tighten screw. Pull fabric through to stretch and cut off excess to neaten.

Tips

  • Before applying Bondaweb to reverse of the fabric, iron the fabric with a hot iron, this will make the bonding process quicker.

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Make your own butterfly chair cover

Butterfly chairs are currently in vogue again. I saw lots of them at Maison et Objects in Paris. They were covered in a variety of fabrics and skins including leather and pony skin.

I bought this old butterfly chair in a junk shop for £10. The cover was rust stained and not very nice so I decided to give it a revamp.

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You will need

3 metres of white cotton drill

Dylon goldfish orange machine dye

Dylon Tulip Red machine dye

Dress making scissors

Sewing machine

Thread

Pen

15mm bias binding

 

Instructions

 

  1. Cut the fabric in half and using the instructions on the pot, dye half the fabric red and half orange.
  2. Draw round the old cover to make a pattern and don’t forget to add the seam allowance
  3. Cut out the pieces and sew the pieces first in one colour and then in the next together as in the original pattern.
  4. The only difficult part is pinning and stretching the seat top to the seat bottom as you are joining a concave piece of fabric to a convex piece. With right sides facing, pin the top of the seat to the bottom at the center seam. Sew from the center of the seat outwards stretching as you sew. This way the two pieces will fit together. Repeat this step to join the other half of the chair top to the chair bottom.
  5. The pockets for the front and back of the seam are neatened at their bases and then sewn with raw edges onto the cover. This is repeated for the reverse of the seat.
  6. Once the pockets are in place, with wrong sides facing, sew the seat top to the seat bottom round the edge and then hide all the raw edges with bias binding.

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