Paint Techniques and Patterns for Classic and Modern Marbleising on Paper and Silk.
Published by Fox Chapel publishing
When this book fell into my in box I was delighted as it is a technique that I have tried out myself and the results can be rather random. Heather Fletcher is a true professional and manages to get great results, and with her clear, photographed step by step instructions you dear readers will be able to do the same.
Heather is a surface designer who works in many different mediums including marbling, suminagashi, pochoir, linocut, and woodblock printing, Heather incorporates them into her current practice focused in the following areas: artist books, hand lettering, graphic design, surface pattern design, quilting, and illustration (hand and digital).
After a brief introduction to the author, the book opens with a short history of marbling. The first half of the book divides into three chapters starting with the studio and how to set up, the tools and materials needed and paints and colours.
One of the bonuses of choosing marbling as a craft is that it requires very little in the way of specialist tools, most of them you will find in your house. You are given instructions on how to make your own marbling combs.
Heather teaches classes on marbling and other surface design techniques at Minnesota Center for Book Arts, Textile Center in Minneapolis, and around the world.
As she says
‘There are many “systems” for marbling paper, each using a different kind of paint (ink vs. watercolor vs. oil
vs. acrylics) and different substances to float color on the surface. In this book, we use fluid acrylic paint and carrageenan. Through teaching marbling, I found that these two materials are the easiest to work with for marblers of all levels—from beginners to seasoned professionals. Both carrageenan and acrylic paint are easily available through online retailers and at your local art store.
The recipe is given for making your own carrageenan ‘size’ and as it is a seaweed extract it is often used in the food industry as a thickener. It can be safely poured down the sink after use.’
The second part of the book is called patterns and describes and shows the foundation patterns and further patterns based on those.
The reader is then given techniques to marble on paper and then on fabric. Finally there is a troubleshooting section and a resources guide.
Heather’s surface designs are represented by MHS Licensing and licensed to manufactures and put onto products for home décor, hydration, wall art, tabletop, wallpaper, and quilting fabrics.