Antony Gormley is an internationally renowned sculptor. Known mainly for his huge sculptures such as Angel of the North. This exhibition covers his work from his early beginnings in the late 1970’s to his latest works.
The human body is at the core of his practice, but he is not interested in realistic likenesses, or depicting an ideal form. For Antony Gormley the body is a vessel for feeling. It is both the unique site of our individual journeys, and the one thing we all share.
This exhibition has work I had not seen before, including works on paper, fabric and other media. I loved his sketch-books full of workings for his often very complex sculptures.
There is one particularly unusual wall hanging made from white pieces of bread hung together in a grid with a cut out human form made by biting into them. Called Mothers pride !
Another fabulous wall hanging is made from clay and blankets and is from 1983 and is called Blanket Drawing.
As you enter the courtyard of the RA curled up on the floor is a tiny figure, which were it not for people around taking photo’s, it would be very easy to miss. The life size cast iron form is of his daughter when she was six days old.
One of the first rooms you enter is full of slab works, they are dense hard, edged and look like enormous bronze versions of Lego bricks. They are extreme geometric abstractions of the human form. I persuaded a friend to sit next tone of them.
In one of the smaller galleries is a single life-size body form, with head bent, contemplating the ground on which he stands. He is formed of tightly packed vertical and horizontal steel bars that map the internal space of the body.
Clearing VII 2019 is an amazing space the artist calls it ‘drawing in space. In this interactive sculpture the viewer climbs in and out and walks round the room that consists of 8 kilometers of square section aluminium tube, coiled and then allowed to expand and uncoil until restricted by the walls and the ceiling.
Lost Horizon 2008
Inside the gallery, gravity appears to be defied and space folds in on itself as bodies project from all sides, floor and ceiling all at odds with one another. The works are perpendicular to the rectangular architecture of the room, the effect as you move between them is disorienting.
A more recent work is Cave, it is a sculpture on an architectural scale. The work can be walked into or you can walk round it. Inside it is dark and the viewer or participant has to feel their way through relying on senses other than sight.
Another 2019 work is Host. A room filled with an expanse of clay and seawater. Described by Gormley as ‘an invasion of the inside by the outside’, the work provides a stark contrast to the gilded ceiling of the nineteenth-century gallery
This is a breath taking awe inspiring exhibition well worth a visit.