
Just a glimpse into this gorgeous book will affirm Lucy Haywood’s love of all things vintage, a love that was inherited from her parents. They spent all their free time at antiques fairs and so she grew up in a home filled with old furniture.
Her first flat was adorned with antique finds and vintage clothing and she realized that she was drawn to a creative career.
When her daughters were tiny she created a business that would work alongside her role as a mum. She began by hiring out her vast collection of vintage china for weddings and other events. This led to opening first a little shop in Sussex and, then as the business grew, a large, draughty barn, inviting other collectors that she met to sell alongside her. She hosted sales in village halls and gardens, and The Country Brocante was born.
It has grown and evolved from its humble beginnings, and now hosts seasonal fairs at stately homes and estates in Sussex and the Cotswolds. The exhibitors specialize in various different eras and styles – some offer classic French brocanterie, others have a traditional English style, and some a blend of both.
The faded elegance of France and the English cottage charm of vintage china and chintz come together to create a uniquely beautiful look that is, the essence of the Country Brocante style which is captured in this book.
The book opens with examples of the colour palette, which is oh so instagramable. Examples are given of Pale pinks, Washed whites, Seaside blues and Soft greens.
As Lucy explains, there is a myth that White is cold hard and clinical. The secret is to search out muted, chalky whites that provide a perfect backdrop for the time worn patina of antique and vintage finds. White-painted furniture only grows more beautiful with age, and when it is teamed with old linen sheets, white sofas and all-white china, the effect is easy, relaxed and lived-in. If you have a collection of mismatching modern pine furniture, invest in a pot of one of Farrow & Ball’s just-slightly-off white shades and give pieces a lick of paint for instant shabby chic appeal.
To create a Country Brocante home using blues, seek out subtle shades from silvery pale blue to faded indigo.
‘Graceful, elegant and feminine, for me pink is the most romantic of colours and effortlessly exudes vintage charm. Even the smallest of details, such as a posy of pink flowers, will bring warmth to an interior’ says Lucy.
When using pinks, If pastel pink feels too sugary, try a rich raspberry shade instead, which looks fabulous against pearly grey or duck-egg blue walls and natural sisal flooring.
Dulux colour of 2020 being Tranquil Dawn a soft green hue inspired by the morning sky, and Lucy waxes lyrical about green.
What colour could be more reminiscent of the rolling English countryside than green? It brings to mind the exterior of an old garden shed, lichen and moss growing over a weathered stone garden ornament, or a simple green bucket holding roses just picked from the garden. But green is for indoors as well as
out. There are so many shades that work in a country-style home, from faded sage to olive to sea foam. Just keep your shades subtle and sludgy and you can’t go far wrong. At the Country Brocantes, a keen eye will seek out the softest, most subtle green pieces, choosing battered enamel buckets and garden chairs to take home and treasure.
As well as colours the book shows examples of architectural antiques, time worn textures , art, and shows examples of how to work them into your home.The houses included in this book, whether old Suffolk cottages, Georgian farmhouses or modern properties all have in common the inclusion of timeworn objects. There are salvaged shutters and doors, shelving fashioned from old scaffolding boards and pieces of painted furniture still clinging on to their original finish, flaking and peeling though it may be. Despite their age and their state of repair, these items manage to look current, exciting and utterly beautiful in their current surroundings.
What a book! What a look! I highly recommend it, as much for the gorgeous images by Ben Edwards as for the valuable information given by Lucy Haywood.